Crystal Morey
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Curriculum Vitae

Education
  • 2015 - San José State University, San José, California
    • MFA: Spatial Art
  • 2006 - California College of the Arts, Oakland California
    • ​BFA: Ceramic Sculpture - High Distinction

Solo Exhibitions
2019
  • Venus on the Waves, Ferrin Contemporary, North Adams, Massechusetts
2018
  • ​"Lush Anthesis", Modern Eden Gallery, San Francisco, California
  • "A Vulnerable Paradigm of Wonder", Visions West Contemporary, Denver, Colorado 
2017
  • New Symbiosis, Antler Gallery, Portland, Oregon
  • Entangled Wonders, Abmeyer + Wood Fine Art, Seattle, Washington
2016
  • Delicate Dependencies, Modern Eden Gallery, San Francisco, California
2015
  • At the Edge of Time, Antler Gallery, Portland, Oregon
2014
  • Habitats Collide, Antler Gallery, Portland, Oregon ​

Selected Group Exhibitions
2022    
  • Esprits Libres- Céramique affranchie, Fondation Bernardaud, Curated by Anne Richards of Hey: Modern Art and Pop Culture, Limoges, France.
  • Breaking Ground: Women in California Clay, American Museum of Ceramic Art, curated by Beth Ann Gerstein, Pomona, California.
  • On the Edge: CCA Clay, Pence Gallery, curated by Nathan Lynch of California College of the Arts (CCA), in concurrence with NCECA, Davis, California.
  • Seismic State: California Ceramics, Sparrow Gallery, curated by Beth Ann Gerstein, Sacramento, California.
2021    
  • Lucid Dreaming, Corpo Gallery, curated by Beautiful Bizarre, Sherman Oaks, California.

2019
  • ​Market Art + Design Fair, Haven Gallery, The Hamptons, New York
  • Looking West, James J. Hill House, St. Paul, Minnesota
  • U AM I,  Veronique Wantz Gallery, curated by Louisa Vincent, Samuel Johnson, and Juliane Shibata, Minneapolis, Minnesota
  • Small Works, Bein Art, Melbourne, Australia
2018
  • Art of the Mushroom, Hi-Fructose curated exhibition, The Compound Gallery, Oakland, California 
  • Ephemeral, Beautiful Bizarre curated exhibition, Modern Eden Gallery, San Francisco, California
  •  Her Majesty, Haven Gallery, Northport, New York
  • Revive, Remix, Respond, The Frick Pittsburgh, Curated by Leslie Ferrin, Director of Ferrin Contemporary, and Dawn Brean, Curator of Decorative Arts at The Frick Pittsburgh. Pittsburgh, Pennsylvania
  • New York Ceramics and Glass Fair, Ferrin Contemporary, New York, New York
  • LA Art Fair: Red Truck Gallery, Los Angeles, California
2017
  • The Women, Ferrin Contemporary, Cummington, Massachusetts
  • Tempered Beasts: Northern Clay Center, Minneapolis, Minnesota.
  • Hearts Blood, Curated by Beautiful Bizarre, Haven Gallery, New Port, New York.
  • CeramATTACK 2, Duane Reed Gallery, St. Louis, Missouri
  • Compositions, Radius Gallery, Missoula, Montana
  • ​Bitter/Sweet, Curated by Beautiful Bizarre, 19 Karen Contemporary, Mermaid Beach, Australia
  • Neo Flux: Neo.Cali.Clay: NCECA concurrent exhibition, Antler Gallery, Portland, Oregon
  • Omnus Terra: New Ceramic Work by Australian an American Artists: Curated by Linda Fahey and Shannon Garson, NCECA concurrent exhibition, Gallery 114, Portland, Oregon
  • LH Project: Recent Residents: NCECA concurrent exhibition, The Cleaners @ The Ace Hotel, Portland, Oregon
  • Familial: Talon Gallery, Portland, Oregon
  • Epics, Myths and Fables, Curator: Russell Wrankle, Meyer Gallery, Park City, Utah
2016
  • SOFA Chicago, Abmeyer + Wood Fine Art, Chicago, Illinois
  • LA Art Fair: Antler Gallery, Los Angeles, California
  • Roar: Modern Eden Gallery, San Francisco, California
  • Lineage: Mentorship and Learning, American Museum of Ceramic Art, Pomona, California.
  • The Three Realms, Smaart Gallery, San Francisco, California
  • Neo Cali Clay: Mendocino Art Center, Mendocino, California
  • Sitka Art Invitational, World Forestry Center, Portland Oregon
2015
  • 20/20, Modern Eden Gallery, San Francisco, California.
  • The September Show, Abrams Claghorn Gallery, Albany, California.
  • Go Figure, Eutectic Gallery, Portland, Oregon.
  • Natural Selection, Empire Seven Studios, San Jose, California.
  • Gold Rush, with Kyle Lypka and Ben Belknap, The Compound Gallery, Oakland California.
  • Neo.Cali.Clay, curated by Mark Jeager, Smaart Gallery, San Francisco, California
  • Sphinx, curated by Michelle Gregor, with artists Mailia Landis and Natasha Dikareva, San Jose City College, San Jose, California.
  • The Zealot’s Elixir, curated by Doubleparlour, Modern Eden Gallery, San Francisco, California
  • Not Too Funky: New Bay Area Ceramics, curated by Christa Assad, Diablo Valley College, Pleasant Hill, California
2014
  • Unbreakable: Selections from the CCA Ceramic Alumni of the New Millennium. Curators: Mark Eanes and Arthur Gonzalez, Arts Benicia, Benicia, California
  • Unnatural Histories 3, Antler Gallery, Portland, Oregon
  • Passage, Orinda Public Library, Orinda, California
  • Entanglement, Bluxome Gallery, San Francisco, California
  • Hide-N-Seeka, NCECA 2014, Milwaukee, Wisconsin
  • NCECA Expo, Red Lodge Clay Center, NCECA 2014, Milwaukee, Wisconsin
2013
  • Red Lodge Clay Center, Red Lodge, Montana
  • It Figures: True Love Gallery, Seattle, Washington
  • California Clay Competition: Juried by Michelle Gregor. The Artery, Davis, California
  • Peaceable Kingdom, Bedford Gallery, Walnut Creek, California
  • Infinitely Bound: Crystal Morey, Masako Miki, and Michael McConnell, Interface Gallery, Oakland, California.
  • White Show, Fourth and Clay, Berkeley, California
  • Faultline, Oakland, California
  • Pence Gallery, Davis, California

Public Collections
Crocker Art Museum, Sacramento, California
Monterey Museum of Art, Monterey, California

Publications
2018
  • Mastering Hand Building, by Sunshine Cobb, Quarto Knows Publishing. Image: page 38
2017
  •   Crystal Morey, Beautiful Bizarre Magazine, Issue 019, Annandale, Australia, Feature, pages 54-65
  • Palace Costes, Paris France, Volume 67. Feature on pages 80-84.
  • "Crystal Morey Creates a New Mythology of the West", Tess Fahlgren, Missoula Independent, August 25, 2017.
2016
  • Hi Fructose, Volume 41. Feature on pages 19 and 44-49.
  • Hey! Modern Art and Pop Culture, Volume 27. Feature on pages 9-13.
  • American Art Collector, October Issue 132. Feature on pages 104-105.
  • New Age of Ceramics, by Hannah Stouffer, Gingo Press. Feature on pages 284-291.
  • Ice Bear: The Cultural History of an Arctic Icon, By Michael Engelhard, University of Washington press. Page 208.
  • Hey! 4 Degrees Art, Special Issue, 619 Label, Paris France. Feature on page135.
2015
  • Sculpture Review: Hybrid Sculpture, The Grotesque, by Sheryl Morang Holmberg. Winter 2015 pages 26-27.
  • Electric Kiln Ceramics: A Guide to Clays, Glazes, and Electric Kilns, By Richard Zakin and Frederick Bartolovic. Fourth Edition. Pages 43 and 181.
2014
  • 500 Figures, Volume II, Lark Publishing: Bubal Hartebeest and Thylacine
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© Crystal Morey
  • Portfolio
  • Statement
  • Contact
  • CV
  • Instagram